The archive

Issue Nº 16

Essays

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7 min read

What a Typewriter Teaches About Editing

No backspace, no undo, no mercy. Drafting on a 1958 Olympia made me a ruthless and much happier editor.

Portrait of Inês Calado, editor-in-chief of Miruta Journal

Inês Calado

Founding Editor

A vintage Olympia typewriter with a sheet that reads ‘Write something’

Written by

Portrait of Inês Calado, editor-in-chief of Miruta Journal

Inês Calado

Founding Editor

Inês started Miruta in 2015 as a Sunday email to forty friends. She edits every issue, writes the essays nobody asked for and still answers reader letters by hand.

Filed under

Essays

The Olympia came from a flea market in Feira da Ladra for thirty euros and a long negotiation. It is mint green, weighs as much as a small dog and sticks, faithfully, on the letter e.

Drafting without undo

On a typewriter you cannot fiddle. You commit to a sentence or you start a new page. At first that felt terrifying. Within a week it felt like freedom.

Without a delete key, every sentence has to earn the paper it is printed on.

The second draft

The real lesson came later, at the editing stage. Because retyping is laborious, I only retyped what deserved to survive. My second drafts became shorter, sharper and strangely more confident.

You do not need a typewriter to borrow the lesson. Try editing on paper, then retyping by hand into a blank document. Notice what you cannot be bothered to copy. That is usually the part to cut.

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Without a delete key, every sentence has to earn the paper it is printed on.

— Inês Calado

Portrait of Inês Calado, editor-in-chief of Miruta Journal

About the author

Inês Calado

Inês started Miruta in 2015 as a Sunday email to forty friends. She edits every issue, writes the essays nobody asked for and still answers reader letters by hand.

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